The adventures of 7 children's writers as they critique, support, and cheer each other on while fighting their way to the top of the slush pile.
Wednesday, June 30, 2010
Camp 1 (Saturday morning) at the SCBWI Mid-Atlantic Novel Revision Retreat
“Visualizing Your Novel: Mapping Narrative and Emotional Story Arcs” was first at bat. Alisha Niehaus, Senior Editor from Dial Books for Young Readers led the session. All of the sessions were well thought out, expertly presented, and allowed time for writing exercises and discussions about writing problems and solutions. Alisha hit a homerun. She plotted a typical narrative arc, which of course looked like an ever-increasing mountain range while the emotional arc was a smile with happiness on one axis and time on the other. Juxtaposition the two graphs over top of one another and you have a slightly askew, gaping mouth complete with jagged teeth. (After all, she called it visualizing your novel.) She suggested you use events and roadblocks (narrative) to get the main character through the emotional arc. Two things to consider: what events will build and how the events could make the character grow. She reminds us to make the reader frustrated. This will involve them more deeply in the story. The classic plot she stated is to move your characters on a journey outside their comfort zone in order for them to mature.
Tuesday, June 29, 2010
SCBWI Mid-Atlantic Novel Revision Retreat – Base Camp
The Big Meadows Lodge has a rustic look from a bygone era, much like a New Deal WPA work project with its hand-hewn logs. From its great room there are stellar views of the Shenandoah Valley below. This was where our retreat began on Friday night with a get-to-know-ya session.
Three of us (myself, Caroline, and fellow Slushbuster Stephanie) opted to camp. The campground is located adjacent to the lodge. This turned out to be a bonus when Alisha came to our s’more campfire party. My long-time friend and tent mate Caroline suggested the party. Alisha jumped right on it. Turns out as a kid she camped with her family in her home state of California.
Some of the purists insisted on real sticks for roasting their soft, white puffs of pure sugar. They wanted nothing to do with the new-fangled metal prongs, which looked like miniature pitchforks. But all strived for a toasted golden brown confection. The flame-broiled mishaps occurred but were quickly discarded into our bonfire.
Once the s’mores hit the stomachs talk turned to writers, good books and just about any topic you could imagine. This went on for hours. No, we did not end with campfire songs but we were three happy campers.
Stayed tuned for details about the craft sessions in next three blogs.
Sunday, June 20, 2010
13 to Life Blog Tour with Shannon Delany
I enjoyed the feedback I got (and the participation of people in some of my polls which challenged me to bend to what the public hoped for next in the story). When I need feedback now I call on my CPs and Betas and occasionally post snippets on Twitter. I want to get back to Textnovel.com, though--it's a great site.
That brings us to the next question. How do you get feedback on your current projects?
My husband, CPs and Betas are great about giving feedback to me with my current projects. Everyone but my husband does an NDA and then gets email attachments to read and make comments on. And my CPs and Betas ROCK!
Has there been a particularly helpful critique? How did it strengthen your writing?
All of my CPs and Betas are very different in what they bring to a critique. I had one CP who was great at grammar. Robin is tremendous about looking at the feel and mood and romantic elements, while Carla and Annette are terrific about scoping out the humor and overall pacing. My husband and father are more about the story's flow and how it (literally) sounds as they listen to it read by a robotic voice while they're on the road. Their motto is basically: If it sounds great read by a robot, it should sound even better when people read it themselves. My agent, Stan Soper, also reads and makes suggestions. I have a great team really.
What sort of books did you read as a teen? How have they influenced your writing today?
I was a sci-fi, fantasy and mythology girl. I loved Anne McCaffrey, Mercedes Lackey, Robin McKinley, Shakespeare and Andre Norton. I think reading them helped me understand voice and character (The Ship Who Sang and The Hero and The Crown were awesome) and the depth of a world--without having to reveal all of the world's depth in the very first book (hint, hint).
You've blogged about how you never thought you'd never write about werewolves, even though it's turned out to be "enriching". So I have to ask, what made you write about werewolves in the first place?
Frankly, I was seeing a sea of vampires and (although they're awesome in lots of ways) I have a great respect and fondness for wolves. And the legends of werewolves have as rich a history as vamps (easily). I wanted to know where the werewolf heroes were and so I wrote some myself.
Your website biography says that you began writing in earnest when your grandmother fell ill. If it's not too personal, what did you write? Were you writing with the intent of getting published?
I was only a kid then, so I was writing about unicorns and volcanos erupting. I dreamed of being published as a kid (and first got published when I was still in 8th grade) but wasn't serious about it.
It's totally off topic, but you raise heritage livestock in upstate New York. I'd love to know more how you ended up in such unique work.
I like to believe I'm a relatively independent thinker and the idea of being self-sufficient (our animals and land produce a variety of products for us) is very appealing to me. Going back to more traditional breeds of livestock (and plants) is also a bit of a fascination for me--there are reasons certain breeds have lasted this long and (although I'd NEVER say it's easy work) farming's good and grounding. There's nothing better to check your attitude as an author than to have to scrape manure off your boots before you come in your front door. ;-)
Wednesday, June 16, 2010
Inspiration and Depression
This is an amazing book! I feel I am in the hands of a master.
He uses words like crepuscular, gelid, furcate, hirsute, revenants, and spavined, half of which I had to look up. (I won't say which half.)
As I'm reading, I'm thinking this is what I'm striving toward, this is superb writing. And then in the very same breath of thought, "Who am I kidding?" I can drool over the language all I like, but I'm never going to write like this. I'm having conflicting emotions. Awe and inspiration on the one hand. Defeat and depression on the other.
He did win the Pulitzer after all, and I'm just trying to finish my novel and get it published, so I suppose I should lighten up. Still, it's nice to see the possibilities and to dream...
...about one day using words like verisimilitude, aquiline, and chary in my own writing some day.