Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Saturday, June 27, 2009

Interview with Ellen Jensen Abbott


Today we are thrilled to present an interview with Ellen Jensen Abbott, author of the debut novel, Watersmeet. Ellen is a member of the Class of 2K9.

Here’s a little bit about WATERSMEET (Marshall Cavendish Children’s Books):


From her birth, Abisina has been an outcast—for the color of her eyes and skin, and for her lack of a father. Only her mother’s status as the village healer has kept her safe. But when a mythic leader arrives, Abisina’s life is ripped apart. She escapes alone to try to find the father and the home she has never known. In a world of extremes, from the deepest prejudice to the greatest bonds of duty and loyalty, Abisina must find her own way and decide where her true hope lies.


Welcome, Ellen. I’m so excited for the opportunity to chat with you about your book. All of us Slushies are as of yet unpublished in the children’s lit. world, so we’re just dying to know:


As of April 1st you are officially a published author…how does it feel?


Thrilling—to hold that solid, glossy, real book in my hands. Overwhelming—to realize that I am so central to the process of getting the word out about my book. I didn't realize until publication neared that I needed an MBA in marketing! Unbelievable—I walked into a Barnes and Noble recently and saw a poster of myself. A poster. Of me. How did this happen?


Talk a bit about your journey to publication. How did it all start? How long did it take you? We all know it’s hard to get published; give us some insights into how you got there.


It was yen years from the moment I started my first novel to a book arriving on my doorstep. The book I sold was the second book I wrote and submitted for publication; the first did not sell. Key to the publication process for me was the networking I did. As everyone will tell you, you have to write well and have a solid manuscript to offer. But I found that it also really helped to meet people in the industry, learn from them, and develop relationships with them. I attended the Rutgers University Council on Children's Literature One-on-One Conference three different times. While there I met two critical mentors, the woman who became my agent, and the woman who became my publisher. From each of these four women, I learned both about the business and about writing. I made a point of staying in touch with each over the years as I continued to hone my skills. When I had a manuscript ready, I had people to send it to who knew me. I also felt like I had allies out there—folks I could contact who were in the business and would answer questions and encourage me when I got despondent. My advice is to make a point of meeting those people at conferences with whom you feel a connection, whose work you admire, or who you respect. Get their cards. Follow up with a quick e-mail. Stay in touch—not so much that you are annoying, but enough to keep you on their radar.


From the first few pages of Watersmeet you plunge the reader into a bleak and dangerous world. We can feel it, smell it, (almost) taste it along with your MC, Abisina. Can you give all us fantasy writers out there a few tips on world-building?


World building is the work and joy of writing fantasy. At times it is frustrating because you have worked out a complex plot point only to realize that the mountains you had to have in the last scene now prevent you doing what you want in the next! My advice is to go insane with details—and then cut lots of them out. You need to be familiar with all the particulars of your world to give it verisimilitude, but if you weigh it down with too much, your reader can get lost in minutia. Record keeping is key for me, too. I kept a calendar of my main character's quest, so that I knew how the weather would be changing as the days passed. I also marked phases of the moon so that it wouldn't be full in each scene. I also kept a map both of villages and the land as a whole so that I always knew which way Abisina, the main character, was headed, where the sun would be, and what she would see on the horizon. My world is pre-industrial and forested, so I keep tree books, bird books, animal books on hand. I researched survival guides, herbal remedies, and pre-industrial economies. Even a little reading in these areas gave me all kinds of ideas that translated into plot progression or details that gave more depth to my world.


Take us through a typical day in your life as a writer. How do you organize your time?


Ah! How I long for words like "typical" and "organized" in my life! The truth is that my writing life at the moment is catch as catch can. For the last two years, I have been teaching high school English. I'm not full time, but I am 80%. Think grading, grading, grading. I also have two children who play sports, take music lessons and go to a school that requires a lot of parent involvement. Then there's the mundane stuff: paying bills, cleaning the house, feeding the chickens. (Yeah—we have a tiny flock of chickens!) I've learned not to look for huge chunks of time for writing. If I wait until then, I will simply never write. I grab an hour here and an hour there—between when I get home from work and before my kids get home from school; on a free period at school; after the family has gone to bed. On weekends I take a bit more time, leaving the house for a cafĂ© so that my husband and kids don't feel tempted to interrupt me. Summers are heaven! And I am cutting back on my teaching next year so I can find more time.


What are you working on now?


The sequel, of course! It's great to be back in the same world, working with characters I am familiar with. At the same time, it's really exciting that these familiar folk are facing new problems and challenges.


Because we are a critique group, the Slushbusters help each other improve our writing and support each other through successes and failures. How have other writers in your community done the same for you?


One of the worst aspects of my ridiculously busy schedule is that I don't have time for a critique group. I can’t even scrape together the time I need to do my own writing! I have been in critique groups before and I know how valuable it can be to get feedback. I have just teamed up with another member of the Class of 2k9, which is a group of authors debuting YA and MG novels in 2009. (Check us out at www.classof2k9.com) Joy Preble, my partner, lives in Texas and I live in Pennsylvania, but we are both writing sequels to our fantasy novels. We've agreed NOT to read each other's first book. It's killing me because I really, really want to read her book (Dreaming Anastasia) but by being a new reader to her second book, I can see more clearly where there is too much or too little back-story about the first book. She can do the same for me. She recently read my first two chapters and helped me rethink some of the narrative style. I think readers are critical, in part, to remind you of what you know. She marked one spot saying, "I'm hearing you here instead of your MC." Duh! How many times have I given the same advice to authors or students—but here I was making the same mistake! That one comment sent me back to the whole MS as I realized there were loads of places I could do more with my character's voice.


What is the question you never get asked but are always dying to answer? And then, of course, give us the answer.


I really want to be asked what it feels like to win a Newbery Award! And as soon as I know the answer, I'll let you know!


And when that happens, I'll be one of the first to ask you! Ellen, it's been a pleasure chatting with you. Thanks for sharing. Best of luck with the sequel!





Monday, April 27, 2009

Interview with Lisa Greenwald



It's our first Slushbuster interview ... and do we have a nice one!

Lisa Greenwald is a member of the Class of 2K9. Her debut novel, My Life in Pink and Green, is already getting great reviews: 

"Greenwald deftly blends eco-facts and makeup tips, friendship and family dynamics, and spot-on middle-school politics into a warm, uplifting debut." ~ Booklist

"Greenwald clearly takes preteens seriously, emphasizing their ardent concern for the environment and desire for change. This refreshing novel successfully delivers an authentic and endearing portrait of the not-quite-teen experience." ~ Kirkus, starred

"Greenwald has created a smart, spunky heroine with ingenuity and budding femininity. A natural beauty or business tip introduces each chapter. These helpful hints are age appropriate and environmentally current. Readers will enjoy the realistic portrayal of middle school friendships, crushes, and coming-of-age beauty concerns." ~ Library School Journal

Here's a quick synopsis (shamelessly lifted from her website):

Twelve-year-old Lucy Desberg is a natural problem solver. After the local homecoming queen shows up at her family's struggling drugstore with a beauty disaster that Lucy helps to fix, Lucy has a long line of makeover customers for every school dance and bat mitzvah. But all the makeup tips in the world won't help save the pharmacy. If only she could find a way to make the pharmacy the center of town again—a place where people want to spend time, like in the old days. Lucy dreams up a solution that could resuscitate the family business and help the environment, too. But will Lucy's family stop fighting long enough to listen to a seventh-grader?


Let's begin this interview, shall we?


What is one of your favorite portions in My Life in Pink and Green? Why do you like it, and how did it come to you? 

This is such a small moment but I really like the scene at Sunny's birthday party when she kisses the TV when her crush comes on during an old school-play video. It's been in the book since the first draft and I think it's just something that someone that age would do. It's so simple but says so much, I think. It makes me smile when I think about it.

You’ve said that Tuck Everlasting is your favorite book. Do you read it differently now as a writer and adult- or is it the same? 

When I read it as a kid, I was overwhelmed but in a good way. I've read it so many times since then and I am still overwhelmed by how good it is. But the thing is, I'm still absorbed in the story every time I read it. It is just so beautiful and well-written.


What’s it like working at The Birch Wathen Lenox School’s library? Have you ever gotten feedback from the children there?  

I really like working at BWL's library. It's a great way to keep up with new books and I love recommending books to the students. So far I've only gotten positive feedback on the book from the children but I tell them that I'm open to criticism too. :)


What’s the most helpful advice/ feedback you’ve been given? 

It's a simple quote. I don't know who said it but I got it from Meg Cabot's website about four years ago.  "You're not a $100 bill. Not everyone is going to like you...or your book." I tend to be sensitive and this simple statement helps me to remember that everyone has an opinion and my book won't appeal to everyone.


When do you work alone and when do you rely on the help of others, the community of writers? How do you balance the two?  

I mostly work alone but sometimes I have writing dates with friends. I like to be a part of the community of writers but it's definitely difficult balancing work-time and socializing-time. I try to make sure that I have time to actually write and don't spend all of my free time hanging out with writers and talking about writing even though that's so much fun too. 


Any insights on the mechanics of writing? Are there one or two techniques that you find helpful when dealing with POV, description, world building, or dialog? 

I don't think I have any advice on technique really. The simple "show don't tell" is always helpful. Also, reading your work aloud makes a tremendous difference in how you see/hear your own writing.


Any favorite writing blogs? (Besides The Longstockings, of course!) 

My new favorite blog is jacketwhys. I really love talking about what jackets I like and why and this blog is fascinating, smart and very well-done.


There you have it, gentle readers. (Sorry. I'm channeling Miss Manners at the moment.) This is when you run out and buy a copy of My Life in Pink and Green for yourselves.  Or, if you're running a little low on funds like some of us Slushbusters, ask your library to buy a copy. Our copy of My Life in Pink and Green just came in and we're already sorting out who gets to read it when. There may be violence at our meeting this Tuesday.

Can I just add that Lisa has been lovely during this interview? Being a newbie interviewer, I sent her the questions on a document (Big no-no. Imagine re-typing the entire interview into the blog.) Lisa sent her answers in the body of an e-mail with nary a comment about clueless interviewers. 

All of us Slushbusters wish her the best of luck with My Life in Pink and Green.